David and Jonathas
Charpentier
What is friendship? The same soul in two bodies," replied Aristotle. The same soul in two camps, one might be tempted to add, when listening to David and Jonathas. When this biblical tragedy begins, war is raging between the Israelites and the Philistines. David is Jonathas' best friend, but the two men find themselves on opposing sides. Will their friendship survive this fratricidal struggle? Probably not: this is a tragedy, and we can expect to see one of them die in the other's arms. Nevertheless, to accompany Jonathas into the next world, Marc-Antoine Charpentier composed some of his most moving pages: music that will move us for centuries to come.
No, I would rather perish a thousand times myself.Among deadly horrors,
In the face of futile fury,
I would seek and save what I love.David and Jonathan
In 1688, David and Jonathas was premiered by students at the Lycée Louis-Le-Grand in Paris: a special situation that allowed Charpentier to bypass the royal privilege enjoyed by Lully and present his first operatic masterpiece. Is it because it was intended to be performed by teenagers that the characters are imbued with an uncommon immediacy and spontaneity. Avoiding grandiloquent effects, the opera plunges us into the heart of their dramatic truth. Particular care has been taken to ensure the coherence of the work, with a text commissioned from writer Wilfried N'Sondé.
A key figure in the Baroque galaxy, Sébastien Daucé is part of a new generation of French conductors who have shaken up the music's codes and restored it to a central position. Organist, harpsichordist and director of the ensemble Correspondance, he has opted for passion as his sole guiding force, patiently bringing to light rare gems and forgotten masterpieces. Three seasons ago, he should have made his debut in Nancy with Le Ballet royal de la nuit, but Covid decided otherwise, transforming the celebration into a missed appointment. Today the situation has been rectified. For the occasion, he is collaborating with Jean Bellorini, director of the Théâtre National Populaire. A lover of great literary texts, he is used to mixing theatre and music in powerful productions. We can trust him to sublimate the music and dramatic force of this David and Jonathas.
Duration
2 h 40 with interval
Prices
5 — 85 €
in French, surtitles
All audiences from 12 years
Introduction to the performance
45 minutes before the start of the performance (free of charge, upon presentation of ticket).
The performance on 18 January :
- is priced at €10 for the first 30 students and/or under-30s in the best categories! (Tickets sold out).
- features audio description. Bookings on 03 83 85 30 60
- includes a culture pass evening. For more information, click here.
David and Jonathas, biblical tragedy in five acts with prologue
First performed at Collège des Jésuites Louis-le-Grand in Paris on 25 February 1688
Libretto
François de Paule Bretonneau
MusicMarc-Antoine Charpentier
Creationat théâtre de Caen on 9 and 11 November 2023
Production
théâtre de Caen
Main co-producerEnsemble Correspondances
CoproductionLes Théâtres de la Ville de Luxembourg, Opéra national de Lorraine, Théâtre des Champs-Élysées, Opéra de Lille, Théâtre National Populaire Villeurbanne
Orchestra and Chorus
Ensemble Correspondances
ConductorSébastien Daucé
Dramatic textsWilfried N’Sondé
Stage direction, set design and lights
Jean Bellorini
Set designVéronique Chazal
Artistic collaborationDelphine Bradier
CostumesFanny Brouste
Make-up, masks, hairstyles and wigsCécile Kretschmar
AccessoriesBruno Jouvet
Sound and video creationLéo Rossi-Roth
Lighting assistantOlivier Allemagne
Make-up, masks, hairstyles and wigs assistantJean Ritz
Accessories assistantBenoit Bourgarel
Saül, king of the Israelites
Jean-Christophe Lanièce
Jonathas, son of SaülGwendoline Blondeel
DavidPetr Nekoranec
Achis, king of the Philistines, the Shadow of SamuelAlex Rosen
Joabel, one of the leaders of the Philistine armyEtienne Bazola
La Pythonisse, third shepherdessLucile Richardot
The Queen of the ForgottenHélène Patarot