Orlando
Georg Friedrich Handel
The vertigo of love
Does love drive us mad? Handel finds the answer to this question in Ariosto's Orlando furioso (Furious Roland), an absolute masterpiece of adventure storytelling, which he reduces to a few characters, magnifying their heroic and virtuous qualities. The complexity of the love story, comparable to that of Japanese origami, is rendered with astonishing clarity by the music. At the heart of the story are two lovers, the beautiful Angelica, Queen of Cathay, and the African prince Medoro – courted respectively by Orlando, a noble knight, and Dorinda, an innocent shepherdess.
Director Jeanne Desoubeaux has chosen to transpose the opera into a museum, where a group of child visitors witness fantastical scenes as the characters in the paintings come to life and battle between desire and duty, ambition and jealousy. The romantic tension momentarily drives Orlando mad, just before the mysterious magician-philosopher Zoroastro intervenes to urge him to instead pursue military glory, thereby challenging our modern gender stereotypes...
‘Let me fightmonsters and bulls,
But do not touch
my heart.’
A film and a book to delve deeper:
- Serenade for Three (Ernst Lubitsch, 1933): Although set in the 20th century, Lubitsch's film captures the spirit of baroque love with its sophistication, highly elaborate dialogues and plots full of twists and turns.
- Orlando (Virginia Woolf): A cult novel on identity and metamorphosis, spanning centuries and genres – a perfect contemporary echo of the lyrical folly of the baroque Orlando. (Folio classique)
Duration
3 h with interval
Prices
5 - 85 €
Show in Italian, surtitles
From 7 years
Students or under 30s? There are no more €10 reserved seats on 9 October.
Orlando, opera seria in three acts
First performed on 27 January 1733 at the King's Theatre in London
Librettobased on that by Carlo Sigismondo Capece for Domenico Scarlatti,
itself based on Ariosto's Orlando furioso
Georg Friedrich Handel
Executive production
Théâtre du Châtelet
Executive production for the revivalOpéra national de Nancy-Lorraine
Co-productionthéâtre de Caen, Théâtres de la Ville de Luxembourg
Opéra national
de Nancy-Lorraine
Orchestra Conductor and harpsichord
Christophe Rousset (3, 5, 7 Oct),
Korneel Bernolet (9 Oct)
Korneel Bernolet
Stage director
Jeanne Desoubeaux
ChoreographyRodolphe Fouillot
Restaging of the choreographyGösta Sträng
Set designCécile Trémolières
CostumesAlex Costantino
LightingThomas Coux dit Castille
Intimacy coordinationMonia Aït El Hadj
Assistant stage directorLaura Ketels
Assistant set designerHelen Hebert
Assistant costumesNathalie Matriciani
Orlando
Noa Beinart
AngelicaMélissa Petit
MedoroRose Naggar-Tremblay
DorindaMichèle Bréant
ZoroastroOlivier Gourdy
Students of the Conservatoire régional du Grand Nancy Opéra national de Nancy-LorraineChildren's Outreach Chorus